6.14.2010

Will the Summer Make Good for all of our Sins?

I've been listening to this breezy album by the Icelandic outfit
and dusting off my summer dresses.

Last week I was introduced to the line of Brooklyn designer
Sveta Dresher, and hope to make some of her beautiful linen frocks my own.

Get in touch with me, and I'll tell you something exciting that has happened...





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6.04.2010

So long, Louise


In honor of L.B., I return to a post on the old blog I wrote
while contemplating her Retrospective at the Guggenheim.

Your work continues to challenge and inspire.


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Summering....


Prints of the Alerion, Nathanael Herreshoff's personal sailing sloop.

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5.29.2010

The Death of an Original




Goodnight, dark prince.
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5.03.2010

The Difficult Loves, via Pablo Neruda


LOVE
By Pablo Neruda


photo, Henri Cartier-Bresson


Because of you, in gardens of blossoming
Flowers I ache from the perfumes of spring.
I have forgotten your face, I no longer
Remember your hands; how did your lips
Feel on mine?

Because of you, I love the white statues
Drowsing in the parks, the white statues that
Have neither voice nor sight.

I have forgotten your voice, your happy voice;
I have forgotten your eyes.

Like a flower to its perfume, I am bound to
My vague memory of you. I live with pain
That is like a wound; if you touch me, you will
Make to me an irreperable harm.

Your caresses enfold me, like climbing
Vines on melancholy walls.

I have forgotten your love, yet I seem to
Glimpse you in every window.

Because of you, the heady perfumes of
Summer pain me; because of you, I again
Seek out the signs that precipitate desires:
Shooting stars, falling objects.
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4.25.2010

Fascists, and the Women Who Love Them




Vincere (dir. Marco Bellocchio) tells the story of the woman who may or may not be
Benito Mussolini's first wife, Ida Dalser. The film, set within the backdrop of
Italy at a time of deep social and political revolution, reveals the volatile love
affair between the two, and its repercussions as they play out amidst Mussolini's
rise to power (Dalser, who bore a son with Mussolini, left Milan for her native Trento,
where she spent the rest of her life under Fascist party surveillance. She was forcibly interned
at the asylum of Pergine Valsugana, and died in 1936 on the island of San Clemente in Venice.
Her son, Benito Albino Mussolini, died in 1942 at age 26, in an asylum in Mombello, Milan.)

The film, while deliberately focusing on Dalser's story,
masterfully depicts the powerful role
that intellectual movements such as Futurism, as well as celluloid films and propaganda newsreels,
had in shaping the zeitgeist of Fascist-era Italy -- the black, monumental visage
of "Il Duce" looming in the background throughout the last half of the film
as a grim adumbration of the man whose physical presence charged the first half of the film.

Marco Bellocchio remarks on this topic in an interview with Fabio Periera that appeared
in the Huffington Post:

"I think the historical aspect of the story is extremely interesting because I chose to tell a passionate story set at a time of deep social revolution. These deep changes in society were not only that, but there were also changes at the artistic level. In fact, in the film, futurism has a great role. And futurism was an artistic movement that was primarily Italian at the time and Mussolini actually supported that, and the futurist artists all supported fascism later on. Also, it's right in those years that cinema became important and a mass phenomenon. And Mussolini was indeed the first politician in Italy who (understood) the strategic importance of a poltician's image. In this sense, we can draw parallels with prime minister Silvio Berlusconi today."

Vincere, dir. Marco Belloccho, Starring Filippo Timi as Mussolini and Giovanna Mezzogiorno as Ida Dalser
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4.20.2010

Prossimamente: Fausto Melotti, "I Magnifici Sette"

Melotti, F. "I Magnifici Sette", 1973. stainless steel; each: 675 x 190 x 160 cm


"Art is an angelic, geometric feeling. It addresses the intellect, not the senses."
--Fausto Melotti


FAUSTO MELOTTI, "I MAGNIFICI SETTE"
GLADSTONE GALLERY
530 W 21ST STREET, NY
MAGGIO - GIUGNO 2010


yum.
Mi fa molto piacere vedere il nome di questa artista -- sconosciuto da tanti negli stati uniti --
insieme al nome della Gladstone Gallery.

Melotti nacque al inizio del novecento, punto al 1901 -- la sua familia di origini musicali.
Da bambino all'accademia studiò la musica, la fisica, e la matematica.

"I Magnifici Sette" si riferisce alle sette categorie degli studi umanistici
preso da greca antica.

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